I'd like to introduce guest blogger today, Amy DeVoogd. Amy is an illustrator I've worked with in the past, being a fan of her work I've also featured her art on this blog, she's also an avid commenter and brings the much needed illustrator perspective to some of the conversations.
In Amy's words:
I thought this might be an interesting tangent to add to the conversation about stock.
I went to this panel discussion yesterday and panel members included an illustrator, a rep, an art buyer, and an art director.
Most of the audience were graduating students, I'm presuming mostly in Illustration, although I believe there were a few photographers and graphic designers in the mix.
The panel talked about typical things graduating seniors should know, like portfolios, marketing, etc. and then sort of framed the industry from their individual points of view.
At the end during the Q+A session, I asked, "How do you guys feel about stock?" I felt like the seniors should know that it exists as a valid way to make money and get exposure, and I was honestly curious to hear how the panel would respond, especially the rep, since I myself have been told that I can forget about ever being represented because of my involvement with Getty, and I keep waiting for the tide to turn!
The rep said it was the worst thing ever to happen to the industry and that he wouldn't touch an artist who had done stock (okay, no surprise there.) The illustrator said that only the worst-of-the-worst artists do it (okay, so he's rich and famous and his phone rings off the hook for commission work.) But the most surprising response was from the art buyer, who said that in her 25 yrs she has "never, ever" bought stock illustration or photography for a project. Never? I find that hard to believe. And it saddened me, really, because I think it's misleading to these young professionals. I do understand that it's always preferable to commission work, of course, but it's not always practical. And I also understand that when stock came along it was a giant change and it hurt some contingencies like the already-famous and reps. But its definitely part of the landscape now, and there's no going back.
Showing posts with label stock photography. Show all posts
Showing posts with label stock photography. Show all posts
Friday, November 7, 2008
Wednesday, November 5, 2008
State of Stock II
Apologies for a complete disconnect the past week.
So to follow up on the original State of Stock post, I have licensed stock imagery directly for photographers. I have purchased imagery from photographers directly when it was an image on their site that attracted me or the art director OR when I have always wanted to work with the photographer but never had the perfect situation arise and stock was the way to go.
Stock photography has kind of an ugly connotation to it - some people assume it's a stereotypical cheesy image with people perfectly framed and perfectly smiling directly at the camera, others (like myself) view it as an already existing image (whether photographed specifically for stock, personal, or commercial use) that is available for licensing.
I have also found that photographers are in the running cost-wise with stock houses and most often more affordable (and more willing to negotiate). In fact in the past few weeks I was working on a project with designers scouring all sorts of stock sites while I was searching photographer sites. Rony Shram came up with some amazing shots that fit the bill... in fact they liked them so much that they decided to commission him to do a small shoot for the project. AND since he's mostly a fashion shooter they loved the sexy/sleek look to his images but asked if he could apply them to cityscape... which he did. We got great imagery at close to stock pricing.
My opinion is that if you reach out to people, network, and let them know what you're doing they will most likely respond. Offering additional services and opportunities to clients makes you that much more marketable and someone they are likely to reach out to to help with the creative needs.
So to follow up on the original State of Stock post, I have licensed stock imagery directly for photographers. I have purchased imagery from photographers directly when it was an image on their site that attracted me or the art director OR when I have always wanted to work with the photographer but never had the perfect situation arise and stock was the way to go.
Stock photography has kind of an ugly connotation to it - some people assume it's a stereotypical cheesy image with people perfectly framed and perfectly smiling directly at the camera, others (like myself) view it as an already existing image (whether photographed specifically for stock, personal, or commercial use) that is available for licensing.
I have also found that photographers are in the running cost-wise with stock houses and most often more affordable (and more willing to negotiate). In fact in the past few weeks I was working on a project with designers scouring all sorts of stock sites while I was searching photographer sites. Rony Shram came up with some amazing shots that fit the bill... in fact they liked them so much that they decided to commission him to do a small shoot for the project. AND since he's mostly a fashion shooter they loved the sexy/sleek look to his images but asked if he could apply them to cityscape... which he did. We got great imagery at close to stock pricing.
My opinion is that if you reach out to people, network, and let them know what you're doing they will most likely respond. Offering additional services and opportunities to clients makes you that much more marketable and someone they are likely to reach out to to help with the creative needs.
Labels:
stock photography
Monday, October 27, 2008
The State of Stock
PDN reported [here] last Thursday that JupiterImages has been acquired by Getty.
Today it's being reported [here]that Corbis is taking a hit with the economy and therefore are cutting the royalty rates it offers to their contributors (at least for rights managed).
With PhotoShelter having closed their stock house doors, Corbis cutting back, and Getty owning almost everything where does that leave the contributors who want other options. The microstock market offers images for a dollar - what royalty can they offer?
If stock imagery is still being purchased, which it is, and agencies want good images where do they head?
I still think individual photographers should offer stock imagery in addition to being commissioned for shoots. If the opportunity is there I say take it, especially since you get all the royalties and there isn't commission being paid to anyone but yourself (and you rep if you have one).
Today it's being reported [here]that Corbis is taking a hit with the economy and therefore are cutting the royalty rates it offers to their contributors (at least for rights managed).
With PhotoShelter having closed their stock house doors, Corbis cutting back, and Getty owning almost everything where does that leave the contributors who want other options. The microstock market offers images for a dollar - what royalty can they offer?
If stock imagery is still being purchased, which it is, and agencies want good images where do they head?
I still think individual photographers should offer stock imagery in addition to being commissioned for shoots. If the opportunity is there I say take it, especially since you get all the royalties and there isn't commission being paid to anyone but yourself (and you rep if you have one).
Labels:
stock house,
stock photography
Thursday, July 10, 2008
Getty + Flickr
The news flurry going around is Getty offering licenses for Flickr images.
PDN story here.
Seattle Post-Intelligencer article here.
Rachel Hulin's, Shoot! The Blog, report here.
A Photo Editor's blog post here.
I myself am very curious to see which images and photographers (novice, amateur, professional?) are chosen. Getty already owns istockphoto.com, a micro stock site which offers images for mere dollars. What will the Flickr images fetch?
PDN story here.
Seattle Post-Intelligencer article here.
Rachel Hulin's, Shoot! The Blog, report here.
A Photo Editor's blog post here.
I myself am very curious to see which images and photographers (novice, amateur, professional?) are chosen. Getty already owns istockphoto.com, a micro stock site which offers images for mere dollars. What will the Flickr images fetch?
Labels:
stock photography
Tuesday, June 17, 2008
Run Don't Walk to School of Stock
Shoot the Blog! is running an instructional online cache of info on how to shoot stock photography and the value of production (no matter how big or small). To begin with I'm a huge fan of this blog because it covers all sorts of aspects of creative, photography and design and the fact that Rachel Hulin is a sophisticated and witty writer is an additional bonus.
This particular section details what many buyers are looking for and feel the traditional stock houses lack. Learn about what content sells and what images buyers lean towards. Good locations vs. Bad locations... Good talent vs. Bad talent... etc., etc.
I think it's a great tool PhotoShelter is providing and it's eduacational for photographers and buyers alike.
check it out: School of Stock
This particular section details what many buyers are looking for and feel the traditional stock houses lack. Learn about what content sells and what images buyers lean towards. Good locations vs. Bad locations... Good talent vs. Bad talent... etc., etc.
I think it's a great tool PhotoShelter is providing and it's eduacational for photographers and buyers alike.
check it out: School of Stock
Labels:
stock photography
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